Therefore we can provide you with these album blocks for a cheaper price Make it even cheaper when you order 3 for 50 All95bFM Drive NEW DATE: 95bFM presents Tame Impala at Spark Arena Album of the Week: Reb Fountain - Iris NEW DATE: 95bFM presents Garageland 95bFM presents.You were once asked how you know when an album’s finished – and you answered, “When someone says, ‘Time’s up.’” You’ve reached a point where no one’s going to force your hand. Do you think you could make an album forever?Tame Impala has a new EP out featuring a handful of B-sides and remixes from the Currents era.But at the same time – and this is me enabling myself even more – the way we release music has changed so much. What’s inherently wrong with an artist changing a song after it’s been released? Are there rules that we’re not able to look past because we’re stuck in our ways? What if releasing a song was fluid? What if there wasn’t this set period of time when an artist works on a piece of art and they pick a day to share it with the world and it can’t be changed after that?Well, people get attached to one version.That is true. Yeah, very easily – and that is a danger. The more power and control I have over the music, the more freedom and respect I’m given by my record label, then the more I don’t have them going like, ‘Right, you’ve got to fucking finish this.’ So that is an issue.Well, Kanye started tweaking and revising his album digitally even after it was released. Could you see yourself doing that?It’s dangerous.The bemused, occasionally melancholy isolation that defined Innerspeaker and Lonerism has metastasized into heartbreak, bitterness, regret—feelings that can actually kill you if left untended. This is a breakup record on a number of levels—the most obvious one being the dissolution of a romantic relationship, but also a split with the guitar as a primary instrument of expression and even the end of the notion that Tame Impala is anything besides Kevin Parker and a touring band of hired guns. And he's lonelier than ever. After two Tame Impala albums that centered on Kevin Parker's withdrawal from society, he has entered the stream of life on Currents. I held myself back… well, actually, I didn’t.But he’s also somehow the best and most underrated rock bassist of the 21st century, and it’s not even close on either front. In this sense, the album reimagines and expands Tame Impala's relationship to album rock—like Loveless or Kid A or Yankee Hotel Foxtrot, it's the result of a supernaturally talented obsessive trying to perfect music while redefining their relationship to album-oriented rock. There's more care and nuance put into the drum filtering on "Let It Happen" than most bands manage in an entire career of recording.Currents is the result of many structural changes, most of which exchange maximalist, hallucinatory swirl for intricacy, clean lines. As we knew from "Elephant", the song that Parker sheepishly admitted " for half my house," Parker is good at writing catchy, simple guitar riffs. It's a despairing, open-ended psych-disco hybrid whose closest modern analog is Daft Punk's Random Access Memories—a record that cast disco, yacht rock, and dance pop as shared founts of old-school, hands-on music-making.
He fools himself into thinking a new routine of picking up dry cleaning and walking around the block, which he enumerates in a mumbled, pitched-down monologue, constitutes a new existence, but it's all part of the same continuum.Currents could be called a "transitional album," but what Parker seems to realize is that all albums should be so named, because life is transitional. By the next song ("Past Life"), Parker passes her on the street and considers giving her a call not because he cares or wants to get back together, just because he can. On "The Less I Know the Better", he calls out an ex's new lover by name and plots his empty revenge (his "Heather" to her "Trevor"). How to clean up my mac computerThe kicker was even more prescient—"Every part of me says, 'go ahead'." And so Currents ends up being Parker's most convincing case for solitude yet—he knows that perfection can only be achieved inside the studio and progress is the ultimate goal outside of it. Notice that Parker presciently phrased the lyric with *we—*whether it's about a partner, a fanbase, or just the construct of one's self, there's always the tendency to seek comfort and stability rather than dealing with the dissonance between two entities that are inevitably subject to changing at different frequencies. And it may be a companion piece to "Feels Like We Only Go Backwards". It's a dazzling, impossibly intricate song about resisting the temptation to micromanage your life.
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